BBC NEWS
What Myspace means to Murdoch
* Analysis *
By Jeremy Scott-Joynt
BBC News business reporter
* Just three months ago, news magnate Rupert Murdoch made an unusual
admission.
*He had realised, he told a high-powered audience at the American Society
of Newspaper Editors in Washington DC, that he had got something rather
important rather wrong. News Corporation, the global media group he controls, had failed
properly to engage with the online world - and risked losing its
hard-won position in news as a result. As a "digital immigrant" - as he described himself - he acknowledged he found it difficult to visualize how News Corp should change its ways. But he had no doubt that radical change was coming, and that it was inevitable. Commentators took the unusual "mea culpa" as a sign that News Corp was gearing up for a wholesale revamp of its approach to the internet. On 19 July, what appears to be the first really substantive part of the
new strategy swung into action: the purchase, for $580m, of the firm behind the wildly popular Myspace. com online community.
* Deja vu? *
Cynics may charge that Mr Murdoch has been here before. In 1999, another keynote speech laid out lofty ambitions for News Corp online - only for several well-financed operations to close down within months of their launch.
* Young people don't want to rely on a God-like figure from above to
tell them what's important *
Rupert Murdoch
Before that came failed initiatives such as Delphi Internet in the
mid-1990s, an online service which mingled News Corp's UK content with
US material and failed to capture anyone's imagination, and an abortive
internet service provider experiment called LineOne.
* Everyone's an editor *
Even so, buying Intermix - and thus Myspace - seems to match the
requirements Mr Murdoch laid down in his 13 April speech. The central message was that the days of newspapers editing content into a one-size-fits-all package to be consumed without question by the reader were numbered. Young people "don't want to rely on a God-like figure from above to tell them what's important," Mr Murdoch said. "And to carry the religion analogy a bit further, they certainly don't want news presented as gospel. "Instead, they want their news on demand, when it works for them. They want control over their media, instead of being controlled by it. They want to question, to probe, to offer a different angle."
Myspace fits neatly into that definition.
It is a network of pages - most set up by individuals, some by musicians and other creative types - each mixing self-generated text and pictures, links to other content elsewhere, and streamed music and video to create networks of friends and contacts. The result is a densely interwoven community, which its adherents - 14 million a month, by some measures - say is highly addictive. Not that different, in fact, from Mr Murdoch's description of a world
where users act as their own editors, choosing their own news and
content from the huge range of possibilities available online. Of course, every page of Myspace content contains adverts - and Mr Murdoch left his listeners in no doubt that their books would bleed red ink unless they found ways of exploiting the boom in online advertising.
* Backing brands *
What remains unclear is where the other part of Mr Murdoch's vision fits
in. Later in his speech, he talked of the importance of brands - the heart,
after all, of the News Corp empire. Despite the doomsaying, newspaper journalists and editors were perfectly positioned to keep supplying the core content on which the
communications communities would be built, he said. "We have the experience, the brands, the resources, and the know-how to get it done. We have unique content to differentiate ourselves in a world where news is becoming increasingly commoditized."That may prove challenging - after all, suspicion of existing media outlets is rife in weblogs and other chatty outposts of the web. Then again, earlier in July News Corp announced the launch of Fox Interactive Media, a hub for Fox news, sport and entertainment in the US. Myspace, News Corp says, could drive traffic to Fox Interactive Media. And most importantly, Myspace has detailed logs of its users'
preferences, online behaviour and personal information. That could help the company tailor what it does to the ever-more-discerning market which Mr Murdoch believes he has identified.
Story from BBC NEWS:
http://news. bbc. co. uk/go/pr/fr/-/1/hi/business/4697671. stm
Published: 2005/07/19 16:23:53 GMT
© BBC MMVIII
Monday, March 24, 2008
The Artist friendly Contract
The Artist-Friendly Contract
by Keith Holzman,
Keith Holzman Solutions Unlimited.
All rights reserved.
It’s been a number of years since I’ve written about artist contracts, but it’s a subject much on my mind lately because I’ve been seeing agreements that would curl your hair. I’m not an attorney so I advise all my clients to retain an experienced entertainment lawyer to draft their own standard artist agreement, but I’m making the suggestions below based on my many years’ involvement with them.
I’ve always stressed to my clients that their contacts be artist-friendly, and I mean this from two standpoints. First, they should be fair and even-handed in the terms and provisions. Second, they should be written so that the average person can readily understand what they mean.
These are some of the things record labels should consider when writing artist agreements.
Term. Be sure the "term" -- the period of time the agreement is in effect -- is clearly stated. Some are so complicated that it takes an Aztec calendar and an abacus to calculate how long they run, and then lawyers are frequently in disagreement when they try to interpret them. The same should also apply to the definition and length of option periods.
Royalty Base. The royalty base should be 100 percent of either
suggested retail list price (SRLP,) or the label’s price to its distributor, or the distributor’s average price to its dealers (PPD.) Whichever of these is used, it should be clearly stated as such, and the calculated royalty should be proportionate. In other words, the artist’s royalty should be more or less the same no matter which of the above is the basis. For example, a 10 percent royalty based on an SRLP of $14.98 would be about $1.50, but if based on the label’s price to its distributor (about $7.50 -- roughly 50 percent of retail) then you’d need to double the artist’s royalty to about 20 percent to come up with the same $1.50.
Deductions. Forget about packaging deductions which has been common but unnecessary since CDs have been typically issued in jewel cases. This provision is a throwback to the 60’s when such a deduction might have been necessary when artists commonly requested expensive packaging including gatefold jackets and booklets with lyrics and lots of photos. I can see some rationale for a deduction for expensive Digipaks¨. But that’s about it.
There’s also no need for deductions for such standard configurations as CDs, cassettes, etc. The CD deduction dates back to the early 80’s when it was a new and unproved configuration and the actual cost of manufacture was about three times higher than the then-prevailing LP. That’s when the "new technology" clause started creeping into contracts.
And of course there should certainly be no deductions for downloaded sales. I’ve seen contracts where there’s a packaging deduction taken even for these sales that have no package at all!
Territory. Clearly state the territories that are covered. If it’s the World then say so. But "parallel universes" -- as in some contracts? Get real!
Ownership of masters is frequently another sore point. It’s my opinion that masters should always revert to the artist in the case where a label closes shop and hasn’t sold its assets. Some agreements stipulate that, should the label go under or be in default for not paying royalties, ownership of the masters will revert to the artist.
If the recording is a "work for hire" then that should be stated as such, with a clear explanation what the term means.
Royalty percentages should be clearly stated for each configuration and price category, particularly for digital sales.
Free Goods. I’m not a great believer in using free goods to promote the sale of CDs because this practice has been severely abused by many labels and accounts. If you must utilize free goods, I recommend you limit their use contractually to a defined amount, but in any event no more than 10 percent, which I believe is itself too high.
Controlled Compositions are those that are written by the artist or producer, and for which most labels prefer to pay less -- typically 75 percent of the statutory amount. This can be very unfair to an artist and his publisher, but it’s one way for a label to control its costs.
Co-publishing. Many labels try to obtain a portion of a writing artist’s publishing. This is typically 50 percent of the publisher’s portion, allowing the artist to retain the other 50 percent of the publisher’s portion as well as 100 percent of the writer’s portion. Therefore the writing artist would own three quarters of all the publishing with the label retaining the other quarter. I believe this is a fair provision, provided that the label’s publishing division actively works to promote the copyrights involved.
Cross Collateralization between publishing and record royalties is attempted in some contracts, but this is a no-no and is extremely unfair to an artist who writes his own material. More common is crossing multiple releases so that positive royalties from higher selling albums are crossed with losses from poorer selling ones. This is not unreasonable in cases where a label has actively been developing an artist’s career and is thus an opportunity for a label to try to recoup some of its losses.
Tour Support. Most independent labels can’t afford to spend much in the way of assisting an artist’s touring, other than through use of the label’s publicity department to support the artist’s efforts. However, if a label helps support the artist while on tour, then it’s reasonable that it be a recoupable cost.
Independent Publicity, Promotion, and Marketing. Many small labels don’t have fully staffed departments to handle these functions so in the event they hire outside specialists, it’s not unreasonable that a portion -- no more than 50 percent -- be recoupable from the artist’s royalties.
Merchandising. It’s becoming quite common for labels to negotiate for a percentage of an artist’s merchandising income. I don’t think this is unreasonable for those labels who actively work to develop their artists’ careers, but I think it very unreasonable otherwise.
Artist Approvals should be requested whenever feasible, but these should not be contractually offered. I’ve seen too many occasions where artist’s unreasonably withheld approvals and impaired a project
and its release.
I don’t recommend that a label contracts with an artist who is underage. This can create untold problems, even when parents sign an agreement. I suggest waiting until the artist has reached majority.
Profit Sharing. There are many occasions when an artist or group will record an entire album paying for all the costs as they proceed, without requesting funds from the label. This is particularly common when an artist is not yet signed and records an album on his own. In this event a label and the artist may enter into a simple profit-sharing plan, where all recording, manufacturing and marketing costs from both sides are pooled. Then net income after accounting for expenses is split, usually on a 50/50 basis.
You might include in your contract a comment recommending that the artist seek the advice of a competent attorney thoroughly familiar with record industry practice.
In order to keep an agreement reasonably simple, some attorneys put all of the definitions, and certain other boilerplate, in a discrete part of the contract. These are items that will usually remain standard for all of a label’s agreements and simplifies the negotiating person’s work and reduces the amount of typing by an assistant or paralegal. The definitions will include all of the standard words that require strict explanation so that there will be no confusion over terminology.
In sum, I believe that a label should be as fair as possible in signing an artist. After all, this should be like a partnership where both artist and label share any bounty. Contracts should be just that -- an agreement between both parties that is fair and equitable, creating a win-win situation for all. In short, don’t be greedy.
Until next month,
Keith Holzman -- Solutions Unlimited
Keith Holzman is the principal of Solutions Unlimited, a management consultant specializing in the recording industry. A trusted advisor and troubleshooter, he is a seasoned music business senior executive with extensive experience in all aspects of running a label. He was President of ROM Records, Managing Director of Discovery Records, Senior Vice President of Elektra, and Director of Nonesuch Records. He publishes "Manage for Success," a free monthly email newsletter devoted to solving problems of the record industry. You can subscribe at his website .
"IT’S NO LONGER SMART TO BE DUMB!"
by Keith Holzman,
Keith Holzman Solutions Unlimited.
All rights reserved.
It’s been a number of years since I’ve written about artist contracts, but it’s a subject much on my mind lately because I’ve been seeing agreements that would curl your hair. I’m not an attorney so I advise all my clients to retain an experienced entertainment lawyer to draft their own standard artist agreement, but I’m making the suggestions below based on my many years’ involvement with them.
I’ve always stressed to my clients that their contacts be artist-friendly, and I mean this from two standpoints. First, they should be fair and even-handed in the terms and provisions. Second, they should be written so that the average person can readily understand what they mean.
These are some of the things record labels should consider when writing artist agreements.
Term. Be sure the "term" -- the period of time the agreement is in effect -- is clearly stated. Some are so complicated that it takes an Aztec calendar and an abacus to calculate how long they run, and then lawyers are frequently in disagreement when they try to interpret them. The same should also apply to the definition and length of option periods.
Royalty Base. The royalty base should be 100 percent of either
suggested retail list price (SRLP,) or the label’s price to its distributor, or the distributor’s average price to its dealers (PPD.) Whichever of these is used, it should be clearly stated as such, and the calculated royalty should be proportionate. In other words, the artist’s royalty should be more or less the same no matter which of the above is the basis. For example, a 10 percent royalty based on an SRLP of $14.98 would be about $1.50, but if based on the label’s price to its distributor (about $7.50 -- roughly 50 percent of retail) then you’d need to double the artist’s royalty to about 20 percent to come up with the same $1.50.
Deductions. Forget about packaging deductions which has been common but unnecessary since CDs have been typically issued in jewel cases. This provision is a throwback to the 60’s when such a deduction might have been necessary when artists commonly requested expensive packaging including gatefold jackets and booklets with lyrics and lots of photos. I can see some rationale for a deduction for expensive Digipaks¨. But that’s about it.
There’s also no need for deductions for such standard configurations as CDs, cassettes, etc. The CD deduction dates back to the early 80’s when it was a new and unproved configuration and the actual cost of manufacture was about three times higher than the then-prevailing LP. That’s when the "new technology" clause started creeping into contracts.
And of course there should certainly be no deductions for downloaded sales. I’ve seen contracts where there’s a packaging deduction taken even for these sales that have no package at all!
Territory. Clearly state the territories that are covered. If it’s the World then say so. But "parallel universes" -- as in some contracts? Get real!
Ownership of masters is frequently another sore point. It’s my opinion that masters should always revert to the artist in the case where a label closes shop and hasn’t sold its assets. Some agreements stipulate that, should the label go under or be in default for not paying royalties, ownership of the masters will revert to the artist.
If the recording is a "work for hire" then that should be stated as such, with a clear explanation what the term means.
Royalty percentages should be clearly stated for each configuration and price category, particularly for digital sales.
Free Goods. I’m not a great believer in using free goods to promote the sale of CDs because this practice has been severely abused by many labels and accounts. If you must utilize free goods, I recommend you limit their use contractually to a defined amount, but in any event no more than 10 percent, which I believe is itself too high.
Controlled Compositions are those that are written by the artist or producer, and for which most labels prefer to pay less -- typically 75 percent of the statutory amount. This can be very unfair to an artist and his publisher, but it’s one way for a label to control its costs.
Co-publishing. Many labels try to obtain a portion of a writing artist’s publishing. This is typically 50 percent of the publisher’s portion, allowing the artist to retain the other 50 percent of the publisher’s portion as well as 100 percent of the writer’s portion. Therefore the writing artist would own three quarters of all the publishing with the label retaining the other quarter. I believe this is a fair provision, provided that the label’s publishing division actively works to promote the copyrights involved.
Cross Collateralization between publishing and record royalties is attempted in some contracts, but this is a no-no and is extremely unfair to an artist who writes his own material. More common is crossing multiple releases so that positive royalties from higher selling albums are crossed with losses from poorer selling ones. This is not unreasonable in cases where a label has actively been developing an artist’s career and is thus an opportunity for a label to try to recoup some of its losses.
Tour Support. Most independent labels can’t afford to spend much in the way of assisting an artist’s touring, other than through use of the label’s publicity department to support the artist’s efforts. However, if a label helps support the artist while on tour, then it’s reasonable that it be a recoupable cost.
Independent Publicity, Promotion, and Marketing. Many small labels don’t have fully staffed departments to handle these functions so in the event they hire outside specialists, it’s not unreasonable that a portion -- no more than 50 percent -- be recoupable from the artist’s royalties.
Merchandising. It’s becoming quite common for labels to negotiate for a percentage of an artist’s merchandising income. I don’t think this is unreasonable for those labels who actively work to develop their artists’ careers, but I think it very unreasonable otherwise.
Artist Approvals should be requested whenever feasible, but these should not be contractually offered. I’ve seen too many occasions where artist’s unreasonably withheld approvals and impaired a project
and its release.
I don’t recommend that a label contracts with an artist who is underage. This can create untold problems, even when parents sign an agreement. I suggest waiting until the artist has reached majority.
Profit Sharing. There are many occasions when an artist or group will record an entire album paying for all the costs as they proceed, without requesting funds from the label. This is particularly common when an artist is not yet signed and records an album on his own. In this event a label and the artist may enter into a simple profit-sharing plan, where all recording, manufacturing and marketing costs from both sides are pooled. Then net income after accounting for expenses is split, usually on a 50/50 basis.
You might include in your contract a comment recommending that the artist seek the advice of a competent attorney thoroughly familiar with record industry practice.
In order to keep an agreement reasonably simple, some attorneys put all of the definitions, and certain other boilerplate, in a discrete part of the contract. These are items that will usually remain standard for all of a label’s agreements and simplifies the negotiating person’s work and reduces the amount of typing by an assistant or paralegal. The definitions will include all of the standard words that require strict explanation so that there will be no confusion over terminology.
In sum, I believe that a label should be as fair as possible in signing an artist. After all, this should be like a partnership where both artist and label share any bounty. Contracts should be just that -- an agreement between both parties that is fair and equitable, creating a win-win situation for all. In short, don’t be greedy.
Until next month,
Keith Holzman -- Solutions Unlimited
Keith Holzman is the principal of Solutions Unlimited, a management consultant specializing in the recording industry. A trusted advisor and troubleshooter, he is a seasoned music business senior executive with extensive experience in all aspects of running a label. He was President of ROM Records, Managing Director of Discovery Records, Senior Vice President of Elektra, and Director of Nonesuch Records. He publishes "Manage for Success," a free monthly email newsletter devoted to solving problems of the record industry. You can subscribe at his website .
"IT’S NO LONGER SMART TO BE DUMB!"
FREEDOM, REDEMPTION, INTERNATIONAL REPATRIATION!
To the Archbishop of Canterbury
Blessed Love My Lord,
Give thanks and praise for Life and for the Allmighty, Omnipotent and Blessed Life Giver, the Black Christ in Flesh and Blood, Holy Emmanuel I , Selassie I, JAH RASTAFARI.
I an I, the Ethiopia Africa Black International Congress, True Divine Church of Salvation, Sons and Daughters of the God of Ethiopia, the Black God of Zion greet you and your whole congregation with a Heart of Love.
Give thanks to the God of Truth and Rights for the acknowledgement that your church’s participation in and profiting from, the brutal, shameful, evil and wicked slave trade and the slavery system, is wrong.
In the early 80s, the Pope of Rome, went into Africa, kissed the earth and asked for forgiveness, then later the Bitish Government acknowledged their wrong in participating in slavery and the slave trade, and asked for pardon, and, up to now, nothing has been done to return us to Our Homeland, Ethiopia the land where all Gods and Goddesses love to be. Away with empty apologies and crocodile tears! It is time for ACTION now to RECTIFY the wrong done to our Forefathers and Foremothers and to bring forth the full EMANCIPATION of all slave children internationally and universally in Righteousness of Salvation.
From, as early as, the 1st of March 1958, King Emmanuel Charles Edwards, the BLACK GOD in Flesh and Blood, formed and established this Black International Congress to Agitate and make Representation for Freedom, Redemption and International Repatriation. I, King Emmanuel had sent and come to deliver My People out of bondage. It was on the 1st of August 1834, that the shackles came off our feet. August coming up is 173 years now, and I an I are still waiting to be returned to Ethiopia! Can there be repentance without JUSTICE? No!
We have All Authority to Demand Our Rights from both, the spiritual head, of the Church of England, the Archbishop of Canterbury, and the temporal head, Her Majesty Queen Elizabeth II. Is it JUSTICE to forcibly remove People from their Homeland, carry them thousands of miles away, brutalize and ill treat them in the name of white civilization, break down their family values and traditions and then leave them to continue working for you in another man’s land even though their cry their heartfelt desire is to be REPATRIATED? No!
In 1966, her Majesty, Queen Elizabeth II, the Queen of England, declared at King’s House, Jamaica, that there is an Individual Man in this country who No One must molest for, in time to come, which is this time, He shall be Lord over her Lords. She said this after she received a Red, White and Blue Pouch from I containing the Black World Flags of the RED, GOLD AND GREEN and the RED, BLACK AND GREEN with BLACK five-point Star, Lion Crowned Head and R symbols respectively, along with the BLACK flag. She bowed her head to these flags and spoke such words.
JUSTICE DEMANDS that the church of England use some of the huge profits that it gained from such wickedness as slavery and the slave trade to provide Transportation and all other requirements for the speedy Repatriation of all of God’s Children, the black House of Israelites who want to go home to Ethiopia, to fulfil History and Prophecy (Micah 4, Joel 3, Isaiah 43] Holy Emmanuel I, Selassie I, Jah RastafarI.
The world must return to Righteousness as how Christ created it. The Black Christ come to Rule. His commandment is LOVE! On Love hang all laws and prophet’s commandments. Everything must come to a final Reckoning for the Freedom , Redemption and International Repatriation of all Black People out of oppression in Egypt/Jamaica and Universally. It is time for every Man, Woman and Child of Right to Defend the JUSRICE and Peacefulness of righteousness. Righteousness exalts a nation but sin bringeth any people to a reproach.
Calling for 7, 9, or 13 miles of Black Starliner Highwater Ships to take us home. As the Most Rt. Hon. Marcus Mosiah Garvey say, Africa for the Africans those at home and us abroad, China for the Chinese, India for the Indians, Europe for the Europeans and the western hemisphere, the inheritance of the Arawak Indians.
Awake to the REALITY of God in Flesh and Blood. Man of Right is God in Flesh. Woman of Right is Goddess in Flesh. Men of wrong is satan in flesh. Women of wrong is sataness in flesh. Away with white men dead philosophy and teaching of a spirit god without flesh, anti-Christ doctrine, which cannot save anyone. Beloved, believe not every spirit, but try the spirits whether they are of God because many false prophets are gone out into the world. Hereby know ye the Spirit of God. Every spirit that confesseth that Jes-us Christ is come in the flesh is of God. (1st John 4.1,2}.
Five bleeding wounds the black Christ in flesh and blood bear to take away the sins of the world and for the Redemption of the Black House of Israelites, Internationally and Universally. We demand Freedom out of migration law because we did not come here under any migration law therefore we call for Freedom, Redemption and International Repatriation with full Compensation through the International Court of Justice, the United Nations, Her Majesty Queen Elizabeth II and her privy council and the prime minister of Jamaica. We call upon all Heads of Government who have profited from the evils of slavery and the slave trade such as Britain, France, Spain, the United States of America, Portugal, Belgium and Holland to contribute to this International works of Righteous Redemption. For there cannot be a World Peace until every man,woman and child be returned to his or her own vine and fig tree.
Only ONE SALVATION stand, Jes-us Emmanuel, the Black Christ Salvation. All Black Ethiopian Sons and Daughters at Home and Abroad are one People ,one Nation, one Father and Mother children. The Black Kingdom is the First Kingdom on earth. Out of Black man and woman come all other nations. Only the black World have a Kingdom, for we are the first Nation., (1st Timothy 6. 14, 15, 16).
An Ethiopian cannot change his skin nor a leopard his spots(Jeremiah 13 v 23}.Holy Emmanuel I Selassie I, JAH RASTAFARI. Remember the sabbath day to keep it holy(Exodus 20 & 3). The Sabbath Day begins 6 o’clock Friday evening (sunset) to 6 o’clock Saturday evening (sunset). This is a commandment from Creation Birth.
We want to know what you can do to further Freedom, Redemption and International Repatriation? We are looking for an early reply. May God bless you to build up Peace and Love so that there can be Harmony on Earth in Righteousness of Salvation. Holy Emmanuel I,Selassie I, JAH RASTAFARI.
Crown Him with many crowns, The Lamb upon His throne, Hark how the Heavenly Anthem drowns, All music but its own. Holy Emmanuel I, Selassie I, Jah RastafarI.
Closing with seven (7) words of LOVE, God is Love, let us All Love.
I am,
Most Rt. Hon. King Emmanuel Charles Edwards,
Brother Moses, The Lord’s Servant,
Black Christ in Flesh
Black Secretary General of the United Nations,
Crowned Champion of Human Rights/Human Justice
President of the Ethiopia/Africa Black International Congress,
True Divine Church of Salvation,
I Negus Rule Israelite
I.N.R.I..
Blessed Love My Lord,
Give thanks and praise for Life and for the Allmighty, Omnipotent and Blessed Life Giver, the Black Christ in Flesh and Blood, Holy Emmanuel I , Selassie I, JAH RASTAFARI.
I an I, the Ethiopia Africa Black International Congress, True Divine Church of Salvation, Sons and Daughters of the God of Ethiopia, the Black God of Zion greet you and your whole congregation with a Heart of Love.
Give thanks to the God of Truth and Rights for the acknowledgement that your church’s participation in and profiting from, the brutal, shameful, evil and wicked slave trade and the slavery system, is wrong.
In the early 80s, the Pope of Rome, went into Africa, kissed the earth and asked for forgiveness, then later the Bitish Government acknowledged their wrong in participating in slavery and the slave trade, and asked for pardon, and, up to now, nothing has been done to return us to Our Homeland, Ethiopia the land where all Gods and Goddesses love to be. Away with empty apologies and crocodile tears! It is time for ACTION now to RECTIFY the wrong done to our Forefathers and Foremothers and to bring forth the full EMANCIPATION of all slave children internationally and universally in Righteousness of Salvation.
From, as early as, the 1st of March 1958, King Emmanuel Charles Edwards, the BLACK GOD in Flesh and Blood, formed and established this Black International Congress to Agitate and make Representation for Freedom, Redemption and International Repatriation. I, King Emmanuel had sent and come to deliver My People out of bondage. It was on the 1st of August 1834, that the shackles came off our feet. August coming up is 173 years now, and I an I are still waiting to be returned to Ethiopia! Can there be repentance without JUSTICE? No!
We have All Authority to Demand Our Rights from both, the spiritual head, of the Church of England, the Archbishop of Canterbury, and the temporal head, Her Majesty Queen Elizabeth II. Is it JUSTICE to forcibly remove People from their Homeland, carry them thousands of miles away, brutalize and ill treat them in the name of white civilization, break down their family values and traditions and then leave them to continue working for you in another man’s land even though their cry their heartfelt desire is to be REPATRIATED? No!
In 1966, her Majesty, Queen Elizabeth II, the Queen of England, declared at King’s House, Jamaica, that there is an Individual Man in this country who No One must molest for, in time to come, which is this time, He shall be Lord over her Lords. She said this after she received a Red, White and Blue Pouch from I containing the Black World Flags of the RED, GOLD AND GREEN and the RED, BLACK AND GREEN with BLACK five-point Star, Lion Crowned Head and R symbols respectively, along with the BLACK flag. She bowed her head to these flags and spoke such words.
JUSTICE DEMANDS that the church of England use some of the huge profits that it gained from such wickedness as slavery and the slave trade to provide Transportation and all other requirements for the speedy Repatriation of all of God’s Children, the black House of Israelites who want to go home to Ethiopia, to fulfil History and Prophecy (Micah 4, Joel 3, Isaiah 43] Holy Emmanuel I, Selassie I, Jah RastafarI.
The world must return to Righteousness as how Christ created it. The Black Christ come to Rule. His commandment is LOVE! On Love hang all laws and prophet’s commandments. Everything must come to a final Reckoning for the Freedom , Redemption and International Repatriation of all Black People out of oppression in Egypt/Jamaica and Universally. It is time for every Man, Woman and Child of Right to Defend the JUSRICE and Peacefulness of righteousness. Righteousness exalts a nation but sin bringeth any people to a reproach.
Calling for 7, 9, or 13 miles of Black Starliner Highwater Ships to take us home. As the Most Rt. Hon. Marcus Mosiah Garvey say, Africa for the Africans those at home and us abroad, China for the Chinese, India for the Indians, Europe for the Europeans and the western hemisphere, the inheritance of the Arawak Indians.
Awake to the REALITY of God in Flesh and Blood. Man of Right is God in Flesh. Woman of Right is Goddess in Flesh. Men of wrong is satan in flesh. Women of wrong is sataness in flesh. Away with white men dead philosophy and teaching of a spirit god without flesh, anti-Christ doctrine, which cannot save anyone. Beloved, believe not every spirit, but try the spirits whether they are of God because many false prophets are gone out into the world. Hereby know ye the Spirit of God. Every spirit that confesseth that Jes-us Christ is come in the flesh is of God. (1st John 4.1,2}.
Five bleeding wounds the black Christ in flesh and blood bear to take away the sins of the world and for the Redemption of the Black House of Israelites, Internationally and Universally. We demand Freedom out of migration law because we did not come here under any migration law therefore we call for Freedom, Redemption and International Repatriation with full Compensation through the International Court of Justice, the United Nations, Her Majesty Queen Elizabeth II and her privy council and the prime minister of Jamaica. We call upon all Heads of Government who have profited from the evils of slavery and the slave trade such as Britain, France, Spain, the United States of America, Portugal, Belgium and Holland to contribute to this International works of Righteous Redemption. For there cannot be a World Peace until every man,woman and child be returned to his or her own vine and fig tree.
Only ONE SALVATION stand, Jes-us Emmanuel, the Black Christ Salvation. All Black Ethiopian Sons and Daughters at Home and Abroad are one People ,one Nation, one Father and Mother children. The Black Kingdom is the First Kingdom on earth. Out of Black man and woman come all other nations. Only the black World have a Kingdom, for we are the first Nation., (1st Timothy 6. 14, 15, 16).
An Ethiopian cannot change his skin nor a leopard his spots(Jeremiah 13 v 23}.Holy Emmanuel I Selassie I, JAH RASTAFARI. Remember the sabbath day to keep it holy(Exodus 20 & 3). The Sabbath Day begins 6 o’clock Friday evening (sunset) to 6 o’clock Saturday evening (sunset). This is a commandment from Creation Birth.
We want to know what you can do to further Freedom, Redemption and International Repatriation? We are looking for an early reply. May God bless you to build up Peace and Love so that there can be Harmony on Earth in Righteousness of Salvation. Holy Emmanuel I,Selassie I, JAH RASTAFARI.
Crown Him with many crowns, The Lamb upon His throne, Hark how the Heavenly Anthem drowns, All music but its own. Holy Emmanuel I, Selassie I, Jah RastafarI.
Closing with seven (7) words of LOVE, God is Love, let us All Love.
I am,
Most Rt. Hon. King Emmanuel Charles Edwards,
Brother Moses, The Lord’s Servant,
Black Christ in Flesh
Black Secretary General of the United Nations,
Crowned Champion of Human Rights/Human Justice
President of the Ethiopia/Africa Black International Congress,
True Divine Church of Salvation,
I Negus Rule Israelite
I.N.R.I..
Cure
Iran Cures AIDS
Health Minister Kamran Baqeri Lankarani announces after 5 years of research, Iran now has an herbal cure for AIDS. The herb can ONLY be found in Iran.
The herbal drug called IMOD, is the result of five years of research and has been tested on 200 patients. It boosts the human body’s immunity system in a 90-day treatment course and a 2-year follow up.
"Deficiency of the body’s immune system reflects a decrease in CD4 cells that lead to appearance of AIDS symptoms," he said, adding that the new drug controls the multiplication of HIV virus and thus helps increasing the CD4 cells.
The herbs used in production of IMOD are completely Iranian native plants, he noted.
Iran is the only country in the region that provides free HIV drugs to the patients, Baqeri Lankarani said. [snip]
"I believe that the drug should be used for HIV patients whose CD4 is below 350, to prevent them from entering the severe level of AIDS," she stated. (source)
The drug has only been tested on 200 patients, but will be tested on 5,000 over the next calendar year. Iran claims to have only 14,000 cases if AIDS presently, but expects ’the number of those infected will reach 100 000 by the end of the next Iranian year (March 2008)’.
Iran is believed to have at least two million regular drug users - and possibly as many as 3.5 million ... Intravenous drug use is believed to be the main cause of HIV/Aids infection at 62.3%, followed by "unknown causes" at 27.9% and sexual contact at 7.4%. (source)
This sounds ... strange, too good to be true, like bragging before the research trials have actually be conducted
Health Minister Kamran Baqeri Lankarani announces after 5 years of research, Iran now has an herbal cure for AIDS. The herb can ONLY be found in Iran.
The herbal drug called IMOD, is the result of five years of research and has been tested on 200 patients. It boosts the human body’s immunity system in a 90-day treatment course and a 2-year follow up.
"Deficiency of the body’s immune system reflects a decrease in CD4 cells that lead to appearance of AIDS symptoms," he said, adding that the new drug controls the multiplication of HIV virus and thus helps increasing the CD4 cells.
The herbs used in production of IMOD are completely Iranian native plants, he noted.
Iran is the only country in the region that provides free HIV drugs to the patients, Baqeri Lankarani said. [snip]
"I believe that the drug should be used for HIV patients whose CD4 is below 350, to prevent them from entering the severe level of AIDS," she stated. (source)
The drug has only been tested on 200 patients, but will be tested on 5,000 over the next calendar year. Iran claims to have only 14,000 cases if AIDS presently, but expects ’the number of those infected will reach 100 000 by the end of the next Iranian year (March 2008)’.
Iran is believed to have at least two million regular drug users - and possibly as many as 3.5 million ... Intravenous drug use is believed to be the main cause of HIV/Aids infection at 62.3%, followed by "unknown causes" at 27.9% and sexual contact at 7.4%. (source)
This sounds ... strange, too good to be true, like bragging before the research trials have actually be conducted